The Academy of Ancient Music was a pioneer in historically-informed Baroque performance. Back in 1973, when Christopher Hogwood founded the AAM, it was revolutionary. Most orchestras at that time played old music in a modern style. Centuries of change had eroded the original sounds known to Bach, Handel, Haydn and Mozart: the instruments were different; the pitch was different; the number of players was different; the very essence and spirit of performances was different.
Hogwood’s new orchestra reveled in the expressive power of old instruments – flutes made out of wood, trumpets without valves, strings woven from gut. AAM rediscovered sounds which hadn’t been heard for hundreds of years — but it wasn’t just the sound of the music which changed; it was how it felt. Ancient music got a thrilling new lease of life and AAM performances are still full of energy and passion and joy as they continue to explore the sound-worlds which inspired Baroque composers.
AAM return to The Apex, with new director Laurence Cummings, on 9 February, bringing a programme of beloved Baroque hits, including two of Bach’s orchestral suites that the orchestra recorded at The Apex in 2013.
JS Bach: Orchestral Suite No.3 in D major, BWV1068 (performed in its original version for strings and continuo)
Muffat: Sonata in G major from Armonico Tributo
Telemann: Concerto Polonoise in B-flat major
Handel: Sonata in G major, Op.5 No.4
JS Bach: Orchestral Suite No.2 in B minor, BWV1067
You can see The Academy of Ancient Music at The Apex on Wednesday 9 February at 7.30pm. Ring the box office on 01284 758 000 or see theapex.co.uk for more information or to book.